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On Exploring Vocal Ornamentation in Byzantine Chant
Dimitrios S Delviniotis1, Sergios Theodoridis1
1Department of Informatics and Telecommunications, University of Athens, Ilisia, Athens, Greece.
A new vocal ornament, the single cycle ornamentation structure (SCOS), in Byzantine chant has a greater extent and different spectral characteristics, including noise-to-harmonics ratio and spectral slope, compared to vibrato.
Area of Science:
- Vocal acoustics and historical musicology.
Background:
- Byzantine chant (BC) features unique vocal ornaments.
- The single cycle ornamentation structure (SCOS) is a specific ornament in BC.
- Vibrato is a common vocal technique for comparison.
Purpose of the Study:
- To define and compare SCOS with vibrato.
- To analyze time-domain (rate, extent) and spectral (slope, formant levels, bandwidths, noise-to-harmonics ratio) characteristics.
- To investigate acoustic differences between SCOS and vibrato.
Main Methods:
- Comparative acoustic analysis of SCOS and vibrato from recordings of four chanters.
- Measurement and statistical analysis of time and spectral parameters.
- Comparison of parameter differences between ornaments and adjacent steady tones.
Main Results:
- SCOS exhibited approximately double the extent of vibrato.
- SCOS showed different rate characteristics compared to vibrato.
- Significant differences were found in noise-to-harmonics ratio (higher for SCOS), spectral slope (lower for SCOS), and speaker's formant level (lower for SCOS) between SCOS and vibrato.
Conclusions:
- The single cycle ornamentation structure (SCOS) is acoustically distinct from vibrato in Byzantine chant.
- Key differentiating features include extent, noise-to-harmonics ratio, spectral slope, and speaker's formant level.
- Further research may explore formant tuning effects in vocal ornaments.
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