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Orange is the new aesthetic.

Anjan Chatterjee1

  • 1Pennsylvania Hospital of Penn Medicine,Philadelphia,PA 19104.Anjan@mail.med.upenn.eduhttp://ccn.upenn.edu/chatterjee/anjan.html.

The Behavioral and Brain Sciences
|January 19, 2018
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Summary

The Distancing-Embracing model suggests negative emotions are key to aesthetic experiences. This paper proposes "decisive" moments in static art, like photography and painting, can dilate time to fit this model.

Area of Science:

  • Aesthetics
  • Psychology of Art
  • Empirical Aesthetics

Background:

  • The Distancing-Embracing model posits negative emotions as integral to aesthetic experiences.
  • This framework deepens the understanding of empirical aesthetics.
  • The model's temporal focus presents challenges for static art forms.

Purpose of the Study:

  • To explore how the Distancing-Embracing model can be applied to static art forms.
  • To reconcile the model's emphasis on temporality with visual art.
  • To propose mechanisms for accommodating photography and painting within the model.

Main Methods:

  • Conceptual analysis of the Distancing-Embracing model.
  • Examination of the temporal dimensions within static art.

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  • Introduction of the concepts of "decisive" and "distilled" moments.

    • Main Results:

    • Static art forms can evoke aesthetic experiences involving negative emotions.
    • "Decisive" and "distilled" moments in art can create a subjective dilation of time.
    • These temporal effects allow static art to align with the Distancing-Embracing model.

    Conclusions:

    • The Distancing-Embracing model can be extended to static art forms.
    • Subjective time dilation through specific artistic moments is a key factor.
    • This approach enriches the theoretical and empirical study of aesthetic experiences in visual arts.