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Updated: Feb 15, 2026

Examining Changes in HRV and Emotion Following Artmaking with Three Different Art Materials
Published on: January 11, 2020
Psychological models of art reception must be empirically grounded
Marcos Nadal1, Oshin Vartanian2, Martin Skov3
1Department of Psychology,University of the Balearic Islands,Palma de Mallorca,Spain,07122.marcos.nadal@uib.es.
Abstract:
We commend Menninghaus et al. for tackling the role of negative emotions in art reception. However, their model suffers from shortcomings that reduce its applicability to empirical studies of the arts: poor use of evidence, lack of integration with other models, and limited derivation of testable hypotheses. We argue that theories about art experiences should be based on empirical evidence.
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