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Cross-cultural empirical aesthetics.

Jiajia Che1, Xiaolei Sun1, Víctor Gallardo2

  • 1Human Evolution and Cognition Group, IFISC, University of the Balearic Islands-CSIC, Palma, Spain.

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Summary

Cross-cultural empirical aesthetics reveals that people globally share aesthetic preferences. These universal preferences stem from common human perceptual and valuation processes, focusing on features like symmetry and contrast.

Keywords:
AestheticsArtCross-culturalDispositionUniversals

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Area of Science:

  • Empirical aesthetics
  • Cross-cultural psychology
  • Evolutionary psychology

Background:

  • Cross-cultural empirical aesthetics investigates the universality of aesthetic preference.
  • The field's origins, development, and current status require critical evaluation.
  • Distinguishing established knowledge from assumptions is crucial.

Purpose of the Study:

  • To critically review the field of cross-cultural empirical aesthetics.
  • To evaluate the evidence regarding the universality of aesthetic preferences.
  • To clarify what is known versus assumed about aesthetic commonalities.

Main Methods:

  • Critical review of existing literature in empirical aesthetics.
  • Analysis of studies examining aesthetic preferences across different cultures.
  • Synthesis of evidence on the role of formal features in aesthetic judgment.

Main Results:

  • Evidence indicates a common set of formal features influences aesthetic preference across cultures.
  • Key features include symmetry, complexity, proportion, contour, brightness, and contrast.
  • Aesthetic preferences are rooted in universal perceptual and valuation processes.

Conclusions:

  • Aesthetic preferences are not solely culturally determined.
  • Universal perceptual and valuation processes underpin shared aesthetic responses.
  • These commonalities extend to basic human and animal cognition.