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How poetry evokes emotions.

Philip N Johnson-Laird1, Keith Oatley2

  • 1Department of Psychology, Princeton University, Princeton, NJ 08544, USA; Department of Psychology, New York University, 6 Washington Place, New York, NY 10003, USA.

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Summary
This summary is machine-generated.

Poetry simulation theory explains how poems evoke emotions through semantic content, prosodic cues, and self-engagement. This framework, supported by evidence, details how poetic elements trigger specific emotional responses.

Keywords:
AestheticsEmotionsMental modelsPoetryProsodySimulations

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Area of Science:

  • Cognitive Psychology
  • Neuroscience
  • Literary Theory

Background:

  • Poetry is known to evoke strong emotional responses in readers.
  • Existing theories offer limited explanations for the mechanisms underlying poetic emotions.

Purpose of the Study:

  • To present a novel theory explaining how poetry evokes emotions through simulation.
  • To identify the distinct simulation types involved in processing poetry.
  • To empirically validate the proposed theory of poetic emotion.

Main Methods:

  • Developing a tripartite simulation theory of poetic emotion.
  • Analyzing semantic content, prosodic cues (meter, rhythm, rhyme), and self-simulation.
  • Collecting empirical evidence to corroborate the theoretical predictions.

Main Results:

  • Semantic simulations of poem content evoke emotions akin to other representational media.
  • Mimetic simulations of prosodic features elicit specific emotional states, including basic emotions.
  • Self-simulations confirm reader engagement, potentially leading to aesthetic emotions.

Conclusions:

  • The theory successfully predicts various emotional responses to poetry.
  • The three simulation types offer a comprehensive framework for understanding poetic emotions.
  • Empirical findings support the proposed simulation-based model of poetic affect.