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Expanding Aesthetics.

Fiona French1

  • 1School of Computing and Digital Media, London Metropolitan University, London, United Kingdom.

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Summary
This summary is machine-generated.

This study expands design aesthetics beyond human senses to include non-human sensory experiences. It proposes new aesthetic categories for multi-species inclusivity in design.

Keywords:
Animal-Computer Interactionaestheticsanimal centered computingdesigninclusivitymore-than-human designmulti-speciesperception

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Area of Science:

  • Design Studies
  • Environmental Psychology
  • Ethology

Background:

  • Traditional design aesthetics are anthropocentric, limiting scope.
  • Inclusivity in design typically focuses on human cultural and personal needs.
  • There is a growing need to consider non-human sensory modalities in design.

Purpose of the Study:

  • To expand aesthetic dimensions of design beyond human capability.
  • To encompass other species' sensory modalities and experiences.
  • To integrate multi-species perspectives into design considerations.

Main Methods:

  • Synthesizing academic perspectives from ecology, neuroscience, anthropology, philosophy, and interaction design.
  • Exploring artistic perspectives and their complementary roles.
  • Reviewing existing research on non-human aesthetic dimensions.

Main Results:

  • A rationale for the existence of non-human aesthetics is established.
  • Novel aesthetic categories are proposed for multi-species design.
  • Challenges and approaches for including non-human aesthetic sensibility in design are discussed.

Conclusions:

  • Design aesthetics can be expanded to be inclusive of non-human sensory experiences.
  • Integrating multi-species perspectives enriches design possibilities.
  • Further research is needed to develop practical applications of non-human aesthetics in design.