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Published on: August 9, 2024
Does Reality Television-Style Singing Influence Singing Self-Concept?
Amanda E Krause1, Melissa Forbes2, Xanthe Lowe-Brown3
1Department of Psychology, James Cook University, Townsville, Queensland, Australia.
Exposure to reality television singing negatively impacts singing self-concept and aspirations through upward social comparison. Music educators should consider these cultural influences on singing engagement.
Area of Science:
- Psychology of Music
- Social Psychology
- Music Education
Background:
- Singing self-concept is a key predictor of musical engagement and participation.
- Upward social comparison can influence self-perception, particularly in skill-based domains.
- Contemporary commercial music singing, as popularized by reality television, presents a specific vocal style.
Purpose of the Study:
- To investigate the effect of exposure to reality television singing on singing self-concept.
- To compare the impact of different singing styles (amateur, professional plain, reality TV) on self-perception.
- To explore the role of upward social comparison in this phenomenon.
Main Methods:
- A between-subjects online experiment with 212 participants.
- Participants were randomly assigned to listen to one of four versions of a song: control, amateur singing, professional plain singing, or reality television singing.
- Post-exposure, participants rated the performance and completed measures of singing self-concept, including perceived ability and aspirations.
Main Results:
- Amateur singing was judged as the lowest quality performance.
- No significant difference was found in perceived singing ability across conditions.
- Exposure to reality television singing significantly affected singing aspirations and the perceived ability to sing along, suggesting a negative impact on singing self-concept.
Conclusions:
- Reality television singing style may negatively influence singing self-concept via upward social comparison.
- Singing self-concept, including aspirations and perceived ability, is sensitive to cultural influences in music.
- Music educators and pedagogues should be aware of these influences to promote musical participation.
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