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"It's cleaner, definitely": Collaborative Process in Audio Production.
Thomas Deacon1, Patrick Healey2, Mathieu Barthet3
1Media and Arts Technology Centre, School of Electronic Engineering and Computer Science, Queen Mary University of London, London, E1 4NS United Kingdom.
Computer Supported Cooperative Work : CSCW : an International Journal
|November 21, 2022
Summary
Audio producers collaboratively diagnose music issues by integrating audio-visual evidence and complex digital tools. Multimodal conduct guides their shared understanding for improved future audio production systems.
Area of Science:
- Human-Computer Interaction
- Music Production
- Collaborative Systems Design
Background:
- Client instructions for music production are often vague.
- Diagnosing issues in music production requires shared understanding between collaborators.
- Existing tools may not fully support collaborative audio diagnosis.
Purpose of the Study:
- To investigate how audio producers collaborate to diagnose music issues.
- To uncover coordination strategies for understanding complex audio representations.
- To inform the design of future collaborative audio production tools.
Main Methods:
- Design ethnography study of two music producers in a studio setting.
- Analysis of multimodal conduct during collaborative music production.
- Examination of how complex media objects are used in interaction.
Main Results:
- Audio producers use both audio and visual evidence to make judgments.
- Ambiguity can arise in assessing issues due to complex digital tools.
- Multimodal conduct is crucial for guiding the collaborative workflow.
- Complex media objects are integrated as interaction elements.
Conclusions:
- Understanding current collaborative audio production practices is essential.
- Multimodal interaction and evidence integration are key to diagnosing music issues.
- Findings support the development of enhanced tools for collaborative audio production.
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