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Predicting instabilities: an embodied perspective on unstable experiences with art and design
Claudia Muth1,2,3, Claus-Christian Carbon3,4,5
1Department of Interdisciplinary and Innovative Sciences, Hof University, 95028 Hof, Germany.
Predictive Processing (PP) explains perception as a way to increase predictability. This study explores how engaging with art creates Semantic Instability (SeIns), which is pleasurable and insightful, differing from problem-solving.
Area of Science:
- Cognitive Science
- Neuroscience
- Philosophy of Mind
Background:
- Predictive Processing (PP) frames perception as a continuous effort to minimize prediction errors by updating internal models or seeking novel sensory input.
- Perception and action are intrinsically linked within the PP framework, suggesting a dynamic interplay between sensing and doing.
- Organisms generally seek predictability, yet humans often engage with stimuli that intentionally disrupt habitual sense-making, leading to 'Semantic Instability' (SeIns).
Purpose of the Study:
- To update the understanding of Semantic Instability (SeIns) through an embodied and situated lens.
- To differentiate art perception from problem-solving, particularly regarding the dynamic integration of contradictory elements.
- To explore how embodied Predictive Processing theories can explain the motivation behind engaging with unstable, yet rewarding, sense-making processes.
Main Methods:
- Theoretical update of the Semantic Instability (SeIns) concept.
- Analysis of art perception through the framework of embodied Predictive Processing.
- Discussion of embodied cognition and situated perception in relation to aesthetic experiences.
Main Results:
- Art perception involves dynamically integrating contradictory elements without necessarily resolving them, unlike problem-solving.
- Semantic Instability (SeIns) in art engagement can be a source of aesthetic pleasure and intellectual interest.
- Embodied Predictive Processing offers a framework for understanding the appeal of nonlinear, insightful sense-making during art experiences.
Conclusions:
- Engaging with art fosters a unique form of sense-making characterized by dynamic integration of contradictions and Semantic Instability (SeIns).
- The pleasure and insight derived from art stem from the process of navigating SeIns, rather than its resolution.
- Embodied Predictive Processing provides valuable insights into the motivations and mechanisms underlying aesthetic engagement and its inherent rewards.
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