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Methods to Explore the Influence of Top-down Visual Processes on Motor Behavior
Published on: April 16, 2014
Cognitive and Neural Representations of Fractals in Vision, Music, and Action
Mauricio de Jesus Dias Martins1
1Department of Cognition, Emotion, and Methods in Psychology, Faculty of Psychology, SCAN-Unit, University of Vienna, Vienna, Austria. mauricio.martins@univie.ac.at.
Abstract:
The concept of fractal was popularized by Mandelbrot as a tool to tame the geometrical structure of objects with infinite hierarchical depth. The key aspect of fractals is the use of simple parsimonious rules and initial conditions, which when applied recursively can generate unbounded complexity. Fractals are structures ubiquitous in nature, being present in coast lines, bacteria colonies, trees, and physiological time series. However, within the field of cognitive science, the core question is not which phenomena can generate fractal structures, but whether human or animal minds can represent recursive processes, and if so in which domains. In this chapter, we will explore the cognitive and neural mechanisms underlying the representation of recursive hierarchical embedding. Language is the domain in which this capacity is best studied. Humans can generate an infinite array of hierarchically structured sentences, and this capacity distinguishes us from other species. However, recent research suggests that humans can represent similar structures in the domains of music, vision, and action and has provided additional cues as to how these capacities are cognitively implemented. Using a comparative approach, we will map the commonalities and differences across domains and offer a roadmap to understand the neurobiological implementation of fractal cognition.
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