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Fabricating Complex Culture Substrates Using Robotic Microcontact Printing R- &#181;CP and Sequential Nucleophilic Substitution
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Misfits Meet Art and Technology: Cripping Transmethodologies.

Carla Rice1, Eliza Chandler2, Fady Shanouda3

  • 1University of Guelph, Ontario, Canada.

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PubMed
Summary
This summary is machine-generated.

Disabled artists creatively repurpose technology to enhance access and embodiment, forging new forms of art and crip culture. Their innovative "dis-using" of tools redefines accessibility as an artful, political process.

Keywords:
access aestheticscreative usersdifference-centered designdis-usedisability artsmisfit creativitytechnology

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Area of Science:

  • Disability Studies
  • Art Theory
  • Science and Technology Studies

Background:

  • Disabled artists engage with technology in unique ways.
  • Existing technological frameworks may not fully support disabled users' needs.
  • Artistic practice offers a lens to explore alternative technological uses.

Purpose of the Study:

  • To explore how disabled artists repurpose and invent technologies within their artistic processes.
  • To understand how these practices enact care, access, and extend embodiment.
  • To analyze the creation of "crip culture" through technological innovation.

Main Methods:

  • Analysis of four case studies of disabled artists.
  • Application of disability theory and artistic praxis.
  • Examination of how artists "dis-use" technologies.

Main Results:

  • Disabled artists function as "creative technologists" and "creative users."
  • Artistic practices generate new forms of technology and artfulness.
  • Accessibility is reframed as a transmethodological, dynamic process.

Conclusions:

  • Disabled artists' non-normative practices are central to culture-making.
  • Technology is actively reshaped by disabled users to meet diverse needs.
  • Crip culture is understood as processual, artful, and political through these technological engagements.