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Updated: Sep 13, 2025

Cross-Modal Multivariate Pattern Analysis

Cross-Modal Multivariate Pattern Analysis

Published on: November 9, 2011

Augmenting art crossmodally: possibilities and pitfalls.

Charles Spence¹, Nicola Di Stefano²

¹Crossmodal Research Laboratory, Department of Experimental Psychology, Oxford University, Oxford, United Kingdom.

Frontiers in Psychology

|July 29, 2025

Summary

This review explores augmenting art with audiovisual stimuli, distinguishing between basic, mid-level, and complex crossmodal correspondences. It examines methods and challenges in enhancing artworks via crossmodal sensory input.

Keywords:

Gestalt art audiovisual crossmodal intersensoriality multisensory sensory augmentation sensory translation

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Area of Science:

Art and Perception
Crossmodal Research
Sensory Integration

Background:

Art augmentation explores enhancing artistic experiences through multisensory input.
Crossmodal correspondences link different sensory modalities, influencing perception.
Distinctions exist between basic, mid-level, and complex audiovisual correspondences.

Purpose of the Study:

To review the possibility of augmenting artworks using audiovisual crossmodal means.
To differentiate between crossmodal matching and crossmodal effects in art.
To discuss the aims, objectives, and challenges of crossmodal art augmentation.

Main Methods:

Narrative historical review of crossmodal research in art.
Analysis of different classes of audiovisual crossmodal correspondences.
Examination of literature on crossmodal matching versus crossmodal effects.

Main Results:

While direct translation of art between modalities is not feasible, augmentation is possible.
Three classes of audiovisual crossmodal correspondences are identified: basic, mid-level, and complex.
The study highlights the distinction between crossmodal mapping and crossmodal effects.

Conclusions:

Augmenting art with audiovisual stimuli is possible, though direct translation is not.
Understanding crossmodal correspondences is key to effective art augmentation.
Challenges include potential distractions, such as synaesthesia, in crossmodal art experiences.