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Posing popes: A question of left and right
Alexandre Jehan Marcori1,2, Sebastian Ocklenburg1,2,3
1Department of Psychology, MSH Medical School Hamburg, Hamburg, Germany.
The study found no overall left cheek bias in papal portraits across centuries. However, recent popes show a strong leftward bias, possibly reflecting changing societal roles and emotional expression.
Area of Science:
- Psychology
- Art History
- Sociology
Background:
- Facial asymmetry, specifically left cheek bias, is common in portraits, often linked to emotional expressivity.
- Papal portraits offer a unique, continuous dataset for studying facial posing biases over centuries.
Purpose of the Study:
- To investigate the temporal continuity of the left cheek bias phenomenon in papal portraits.
- To analyze posing trends in papal portraits from the Vatican archives.
Main Methods:
- Quantitative analysis of 266 papal portraits from the Vatican website.
- Categorization of portraits based on left cheek bias, right cheek bias, or symmetry.
- Temporal analysis dividing portraits into five-century intervals.
Main Results:
- No significant overall left cheek bias was detected across all papal portraits (51% leftward, 46% rightward, 3% symmetrical).
- Earlier centuries showed an even distribution of left and right cheek bias.
- The last five centuries exhibited a trend towards leftward bias, with the most recent 12 popes exclusively displaying leftward bias.
Conclusions:
- The historical prevalence of left cheek bias in portraits is not consistently observed in papal imagery across all periods.
- A notable increase in leftward bias among recent popes suggests a potential influence of evolving societal roles and perceived emotional expressivity.
- The statistically improbable concentration of leftward bias in the last 12 popes warrants further investigation into socio-historical factors.
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