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Journal of New Music Research|December 15, 2017
The Tight-interlocked Rhythm Section: Production and Perception of Synchronisation in Jazz Trio PerformanceAlex Hofmann, Brian C Wesolowski, Werner GoeblFrontiers in Psychology|August 1, 2014
Production and perception of legato, portato, and staccato articulation in saxophone playingAlex Hofmann, Werner GoeblPlos One|November 1, 2016
There's More to Groove than Bass in Electronic Dance Music: Why Some People Won't Dance to TechnoBrian C Wesolowski, Alex HofmannThe Journal of the Acoustical Society of America|November 1, 2003
Measurement and reproduction accuracy of computer-controlled grand pianosWerner Goebl, Roberto BresinFrontiers in Psychology|October 18, 2014
Context-specific effects of musical expertise on audiovisual integrationLaura Bishop, Werner GoeblMusicae Scientiae : the Journal of the European Society for the Cognitive Sciences of Music|August 18, 2015
When they listen and when they watch: Pianists' use of nonverbal audio and visual cues during duet performanceLaura Bishop, Werner GoeblPlos One|January 10, 2013
Temporal control and hand movement efficiency in skilled music performanceWerner Goebl, Caroline PalmerPsychological Research|July 23, 2017
Communication for coordination: gesture kinematics and conventionality affect synchronization success in piano duosLaura Bishop, Werner GoeblExperimental Brain Research|January 15, 2008
Tactile feedback and timing accuracy in piano performanceWerner Goebl, Caroline PalmerPageof 3