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Advances in Cognitive Psychology|August 7, 2010
A filled duration illusion in music: Effects of metrical subdivision on the perception and production of beat tempoBruno H Repp, Meijin BruttomessoPsychological Science|August 26, 2004
Perceiving action identity: how pianists recognize their own performancesBruno H Repp, Günther KnoblichJournal of Experimental Psychology. Human Perception and Performance|May 2, 2007
Toward a psychophysics of agency: detecting gain and loss of control over auditory action effectsBruno H Repp, Günther KnoblichQuarterly Journal of Experimental Psychology (2006)|April 10, 2009
Performed or observed keyboard actions affect pianists' judgements of relative pitchBruno H Repp, Gunther KnoblichPsychological Research|December 24, 2004
Staying offbeat: sensorimotor syncopation with structured and unstructured auditory sequencesPeter E Keller, Bruno H ReppThe Quarterly Journal of Experimental Psychology. A, Human Experimental Psychology|June 19, 2004
Adaptation to tempo changes in sensorimotor synchronization: effects of intention, attention, and awarenessBruno H Repp, Peter E KellerExperimental Brain Research|December 17, 2009
Self versus other in piano performance: detectability of timing perturbations depends on personal playing styleBruno H Repp, Peter E KellerActa Psychologica|May 20, 2008
Multilevel coordination stability: integrated goal representations in simultaneous intra-personal and inter-agent coordinationPeter E Keller, Bruno H ReppJournal of Motor Behavior|March 2, 2010
Simultaneous event-based and emergent timing: synchronization, continuation, and phase correctionBruno H Repp, Susan R SteinmanHuman Movement Science|January 11, 2012
Anticipatory phase correction in sensorimotor synchronizationBruno H Repp, Gordon P MoseleyPageof 7