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Frontiers in Psychology|January 21, 2026
Music students' psychological profiles: unveiling three coping clusters using schema mode inventoryTeresa Wenhart, Horst HildebrandtFrontiers in Psychology|July 11, 2022
Classical Music Students' Pre-performance Anxiety, Catastrophizing, and Bodily Complaints Vary by Age, Gender, and Instrument and Predict Self-Rated Performance QualityErinë Sokoli, Horst Hildebrandt, Patrick GomezMedical Problems of Performing Artists|May 1, 2012
Increment of fatigue, depression, and stage fright during the first year of high-level education in music studentsHorst Hildebrandt, Matthias Nübling, Victor CandiaFrontiers in Psychology|April 6, 2023
Repeated stage exposure reduces music performance anxietyVictor Candia, Martin Kusserow, Oliver Margulies, et al.Frontiers in Psychology|February 9, 2023
Determining factors for compensatory movements of the left arm and shoulder in violin playingOliver Margulies, Matthias Nübling, William Verheul, et al.International Archives of Occupational and Environmental Health|January 7, 2011
Stage fright: its experience as a problem and coping with itRegina Studer, Patrick Gomez, Horst Hildebrandt, et al.Journal of Psychosomatic Research|June 1, 2011
Hyperventilation complaints in music performance anxiety among classical music studentsRegina Studer, Brigitta Danuser, Horst Hildebrandt, et al.Applied Psychophysiology and Biofeedback|January 31, 2014
Psychophysiological activation during preparation, performance, and recovery in high- and low-anxious music studentsRegina Katharina Studer, Brigitta Danuser, Pascal Wild, et al.Medical Problems of Performing Artists|May 1, 2012
Monitoring stage fright outside the laboratory: an example in a professional musician using wearable sensorsMartin Kusserow, Victor Candia, Oliver Amft, et al.Psychosomatic Medicine|July 25, 2012
Hyperventilation in anticipatory music performance anxietyRegina Katharina Studer, Brigitta Danuser, Horst Hildebrandt, et al.Pageof 2