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Brain and Language|February 7, 2015
Modulations of the auditory M100 in an imitation taskMatthias K Franken, Peter Hagoort, Daniel J AchesonJournal of Neurophysiology|November 23, 2022
Towards a somatosensory theory of speech perceptionMatthias K Franken, Brian C Liu, David J OstryQuarterly Journal of Experimental Psychology (2006)|January 11, 2022
Don't blame yourself: Conscious source monitoring modulates feedback control during speech productionMatthias K Franken, Robert J Hartsuiker, Petter Johansson, et al.Journal of Experimental Psychology. Human Perception and Performance|January 25, 2021
Speaking with an alien voice: Flexible sense of agency during vocal productionMatthias K Franken, Robert J Hartsuiker, Petter Johansson, et al.Attention, Perception & Psychophysics|January 28, 2022
Drifting pitch awareness after exposure to altered auditory feedbackMatthias K Franken, Robert J Hartsuiker, Petter Johansson, et al.Quarterly Journal of Experimental Psychology (2006)|March 7, 2019
Consistency influences altered auditory feedback processingMatthias K Franken, Daniel J Acheson, James M McQueen, et al.The Journal of the Acoustical Society of America|November 3, 2017
Individual variability as a window on production-perception interactions in speech motor controlMatthias K Franken, Daniel J Acheson, James M McQueen, et al.Psychonomic Bulletin & Review|June 6, 2018
Opposing and following responses in sensorimotor speech control: Why responses go both waysMatthias K Franken, Daniel J Acheson, James M McQueen, et al.The Journal of the Acoustical Society of America|January 3, 2020
Does passive sound attenuation affect responses to pitch-shifted auditory feedback?Matthias K Franken, Robert J Hartsuiker, Petter Johansson, et al.Neuroimage|June 25, 2018
Self-monitoring in the cerebral cortex: Neural responses to small pitch shifts in auditory feedback during speech productionMatthias K Franken, Frank Eisner, Daniel J Acheson, et al.Pageof 1