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The Journal of Craniofacial Surgery|June 17, 2015
The God of Mercy or the King of the Hell? Plastic Surgeon Depicted in Parodies of Altar Portraits of BuddhaSe Ho Hwang, Kun HwangThe Journal of Craniofacial Surgery|September 30, 2005
Anthropometric comparison of portraits of Korean and Japanese beauty in the late 18th and early 19th centuriesKun Hwang, Se Ho HwangThe Journal of Craniofacial Surgery|December 3, 2011
Supporting strength of septal extension graftsSe Ho Hwang, Kun HwangThe Journal of Craniofacial Surgery|August 2, 2007
Location of the zygomaticofacial foramen related to malar reductionSe Ho Hwang, Sheng Jin, Kun HwangThe Journal of Craniofacial Surgery|January 25, 2006
Thickness of Korean upper eyelid skin at different levelsKun Hwang, Dae Joong Kim, Se Ho HwangThe Journal of Craniofacial Surgery|October 10, 2009
Microscopic relation of palatopharyngeus with levator veli palatini and superior constrictorKun Hwang, Dae Joong Kim, Se Ho HwangThe Journal of Craniofacial Surgery|December 6, 2005
Anatomy of lower lacrimal canaliculus relative to epicanthoplastyKun Hwang, Dae Joong Kim, Se Ho HwangThe Journal of Craniofacial Surgery|December 6, 2005
Insertion of frontalis muscle relating to blepharoptosis repairKun Hwang, Dae Joong Kim, Se Ho HwangThe Journal of Craniofacial Surgery|June 1, 2007
Immunohistochemical study of differences between the muscle fiber types in the pars peripheralis and marginalisKun Hwang, Dae Joong Kim, Se Ho HwangThe Journal of Craniofacial Surgery|January 26, 2007
Musculature of the pars marginalis of the upper orbicularis oris muscleKun Hwang, Dae Joong Kim, Se Ho HwangPageof 3