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Psychological Science|July 5, 2001
Arousal, mood, and the Mozart effectW F Thompson, E G Schellenberg, G HusainCognition|January 1, 1996
Expectancy in melody: tests of the implication-realization modelE G SchellenbergAnnals of the New York Academy of Sciences|July 19, 2001
Music and nonmusical abilitiesE G SchellenbergThe Journal of the Acoustical Society of America|November 1, 1996
Sensory consonance and the perceptual similarity of complex-tone harmonic intervals: tests of adult and infant listenersE G Schellenberg, L J TrainorCanadian Journal of Experimental Psychology = Revue Canadienne De Psychologie Experimentale|June 1, 1997
A left-ear advantage for forced-choice judgements of melodic contourM C McKinnon, E G SchellenbergPsychonomic Bulletin & Review|November 9, 2013
Frequency ratios and the perception of tone patternsE G Schellenberg, S E TrehubPerception & Psychophysics|October 1, 1994
Frequency ratios and the discrimination of pure tone sequencesE G Schellenberg, S E TrehubJournal of Experimental Child Psychology|September 10, 1999
Culture-general and culture-specific factors in the discrimination of melodiesE G Schellenberg, S E TrehubPsychonomic Bulletin & Review|February 22, 2000
Name that tune: identifying popular recordings from brief excerptsE G Schellenberg, P Iverson, M C McKinnonPerception & Psychophysics|January 1, 1993
Modeling perceived relationships between melody, harmony, and keyW F ThompsonPageof 12