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The Journal of the Acoustical Society of America|September 15, 2005
Touch and temporal behavior of grand piano actionsWerner Goebl, Roberto Bresin, Alexander GalemboThe Journal of the Acoustical Society of America|November 7, 2014
Perception of touch quality in piano tonesWerner Goebl, Roberto Bresin, Ichiro FujinagaConsciousness and Cognition|January 21, 2019
Eye gaze as a means of giving and seeking information during musical interactionLaura Bishop, Carlos Cancino-Chacón, Werner GoeblJournal of New Music Research|December 15, 2017
The Tight-interlocked Rhythm Section: Production and Perception of Synchronisation in Jazz Trio PerformanceAlex Hofmann, Brian C Wesolowski, Werner GoeblFrontiers in Psychology|January 8, 2024
Body motion of choral singersSara D'Amario, Sten Ternström, Werner Goebl, et al.Annals of the New York Academy of Sciences|April 7, 2006
Time course of retrieval and movement preparation in music performanceCaroline PalmerPsychological Research|April 19, 2023
Interperformer coordination in piano-singing duo performances: phrase structure and empathy impactSara D'Amario, Harald Schmidbauer, Angi Roesch, et al.Journal of Experimental Psychology. Human Perception and Performance|May 29, 2008
Repetition priming in musicSean Hutchins, Caroline PalmerPsychophysiology|February 4, 2026
Respiratory Synchrony and Individual Differences Causally Influence Dyadic Interpersonal CoordinationWenbo Yi, Caroline PalmerChronobiology International|October 22, 2021
Does chronotype explain daily timing of music behaviors?Shannon E Wright, Caroline PalmerPageof 10