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Frontiers in Psychology|June 1, 2017
Positive fEMG Patterns with Ambiguity in PaintingsMartina Jakesch, Juergen Goller, Helmut LederFrontiers in Psychology|June 20, 2022
Aesthetic Preference for Negatively-Valenced Artworks Remains Stable in Pathological Aging: A Comparison Between Cognitively Impaired Patients With Alzheimer's Disease and Healthy ControlsElisabeth Kliem, Michael Forster, Helmut LederActa Psychologica|February 21, 2015
The effects of visual context and individual differences on perception and evaluation of modern art and graffiti artAndreas Gartus, Nicolas Klemer, Helmut LederActa Psychologica|February 17, 2009
Just how stable are stable aesthetic features? Symmetry, complexity, and the jaws of massive familiarizationPablo P L Tinio, Helmut LederPlos One|September 17, 2013
Image ambiguity and fluencyMartina Jakesch, Helmut Leder, Michael ForsterEmotion (Washington, D.C.)|October 24, 2012
It felt fluent, and I liked it: subjective feeling of fluency rather than objective fluency determines likingMichael Forster, Helmut Leder, Ulrich AnsorgeActa Psychologica|December 8, 2014
In the white cube: museum context enhances the valuation and memory of artDavid Brieber, Marcos Nadal, Helmut LederPlos One|August 20, 2015
Everything's Relative? Relative Differences in Processing Fluency and the Effects on LikingMichael Forster, Gernot Gerger, Helmut LederExperimental Psychology|March 31, 2016
Exploring the Subjective Feeling of FluencyMichael Forster, Helmut Leder, Ulrich AnsorgeFrontiers in Human Neuroscience|July 14, 2015
Do I really feel it? The contributions of subjective fluency and compatibility in low-level effects on aesthetic appreciationMichael Forster, Wolfgang Fabi, Helmut LederPageof 21