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The Behavioral and Brain Sciences|March 20, 2013
Normative and scientific approaches to the understanding and evaluation of artJonathan Gilmore
The Behavioral and Brain Sciences|March 20, 2013
Integrating holism and reductionism in the science of art perceptionDaniel J Graham
The Behavioral and Brain Sciences|March 20, 2013
Extending the psycho-historical framework to understand artistic productionAaron Kozbelt, Justin Ostrofsky
The Behavioral and Brain Sciences|March 20, 2013
Causal history, actual and apparentJerrold Levinson
The Behavioral and Brain Sciences|March 20, 2013
"The anti-developmental, the anti-narrative, the anti-historical": Mondrian as a paradigmatic artist for empirical aestheticsChris McManus
The Behavioral and Brain Sciences|March 20, 2013
Psychological and neural responses to art embody viewer and artwork historiesOshin Vartanian, James C Kaufman
The Behavioral and Brain Sciences|November 15, 2011
Nonaddictive instrumental drug use: Theoretical strengths and weaknessesAndrew J Goudie, Matthew J Gullo, Abigail K Rose, et al.
The Behavioral and Brain Sciences|November 15, 2011
Sacramental and spiritual use of hallucinogenic drugsLevente Móró, Valdas Noreika
The Behavioral and Brain Sciences|November 15, 2011
Drugs, mental instruments, and self-controlRobert Van Gulick
The Behavioral and Brain Sciences|November 21, 2012
Heterosexism, homonegativity, and the sociopolitical dangers of orthodox models of prejudice reductionDarren Langdridge
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