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Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds
Reinhard Kopiez1, Anna Wolf1, Friedrich Platz2
1University of Music, Drama and Media, Hanover, Germany.
Plos One
|July 8, 2016
Summary
Listeners could not reliably distinguish between live orchestras and high-quality orchestra sample libraries (OSL). Non-expert listeners were particularly unable to tell the difference, suggesting OSLs will increase in music production.
Area of Science:
- Music Technology
- Acoustic Perception
- Digital Audio Signal Processing
Background:
- Orchestra sample libraries (OSL) are increasingly used in music production.
- The ability of human listeners to differentiate between OSLs and live orchestras is largely unknown.
- This distinction is crucial for understanding the impact of OSLs on music authenticity.
Purpose of the Study:
- To investigate if listeners can reliably identify orchestral music produced using OSLs versus live recordings.
- To assess the performance of different listener expertise levels in distinguishing sound sources.
- To evaluate OSLs against Alan Turing's threshold for convincing simulated performances.
Main Methods:
- An internet-based experiment was conducted with 602 participants.
- Participants listened to a classic orchestral piece produced with a state-of-the-art OSL and a live orchestra recording.
- Listeners were asked to identify the sound source.
Main Results:
- Overall, listeners correctly identified the sound source 72.5% of the time, exceeding Turing's 70% threshold.
- Sound experts showed a higher accuracy rate in identifying the correct source.
- Non-expert listeners, representing the majority of music consumers, achieved only 68.6% accuracy, performing below the threshold.
Conclusions:
- While experts can discern OSLs, non-expert listeners struggle to differentiate them from live orchestras.
- The indistinguishability for most listeners suggests OSLs may become more prevalent due to economic factors.
- This has significant implications for the future of orchestral music production and consumption.
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