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Hypnosis from the standpoint of a contextualist
This study proposes a dramaturgical theory where hypnotic performance is viewed as a collaborative drama. Both hypnotist and subject act to enhance credibility, with counterfactual statements serving as cues to engage in this social interaction.
Area of Science:
- Psychology
- Sociology
Background:
- Hypnotic analgesia studies often yield contradictory self-reports.
- Existing theories struggle to fully explain counterexpectational conduct during hypnosis.
Purpose of the Study:
- To formulate a theory that explains counterexpectational conduct as expectational within hypnosis.
- To apply a dramaturgical perspective to understand hypnotic performance.
Main Methods:
- Utilized a contextualist and dramaturgical theoretical framework.
- Analyzed hypnotic performance through the lens of actor-spectator dynamics.
- Examined contradictory self-reports in Hilgard's analgesia studies.
Main Results:
- Identified both hypnotist and subject as actors in a dramatic plot aimed at enhancing credibility.
- Interpreted counterfactual statements in hypnotic inductions as cues for a collaborative drama.
- Proposed that subjects accept cues as an invitation to enact the role of a hypnotized person.
Conclusions:
- Counterexpectational conduct in hypnosis can be understood as expectational within a dramaturgical framework.
- Hypnotic interactions involve implied social communications and credibility enhancement.
- The actor-spectator model provides insight into self-reports during hypnotic analgesia studies.
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