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Published on: September 19, 2019
Considering the filmmaker: Intensified continuity, narrative structure, and the Distancing-Embracing model
Kacie L Armstrong1, James E Cutting1
1Department of Psychology,Cornell University,Ithaca,NY 14853-7601.kla78@cornell.edujames.cutting@cornell.eduhttps://www.researchgate.net/profile/Kacie_Armstronghttp://people.psych.cornell.edu/~jec7/.
Abstract:
Menninghaus et al. pose two open-ended questions: To what extent do formal elements of art elicit negative affect, and do artists try to elicit this response in a theory-based or intuitive manner? For popular movies, we argue that the consideration of their construction is prior to the consideration of the experience that they evoke.
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