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Characterization of the Colorants in Antonio Raimondi's Botanical Watercolors by X-ray Fluorescence and Raman
Betty Cristina Galarreta1, Patricia Elena Gonzales1, Sara Isabel Córdova Tuppia1
1Departamento de Ciencias - Sección Química, Pontificia Universidad Católica del Perú, Av. Universitaria 1801, San Miguel, Lima, 15088, Peru.
Chempluschem
|June 3, 2025
Summary
This study used X-ray fluorescence (XRF) and Raman spectroscopy to analyze Antonio Raimondi
Area of Science:
- Art Conservation Science
- Material Science
- Natural History
Background:
- Antonio Raimondi, a 19th-century Italian naturalist, documented Peruvian botanical history through watercolors.
- Understanding the materials used in historical artworks is crucial for conservation and provenance research.
Purpose of the Study:
- To non-destructively analyze the chemical composition of colorants in Raimondi's botanical watercolors.
- To identify the specific palette used by Raimondi and understand the historical availability of pigments in Peru.
Main Methods:
- Non-destructive analysis using X-ray fluorescence (XRF) spectroscopy.
- Non-destructive analysis using Raman spectroscopy.
Main Results:
- Identified key colorants: carbon-based black, vermillion, Prussian blue, chrome yellow, gamboge, lead white, yellow ochre, red lead, and hematite.
- Detected azurite and lazurite via Raman, suggesting minor quantities mixed with other pigments.
- Found modern synthetic colorants (phthalocyanine blue, beta-oxy-naphthoic acid), indicating later alterations in some illustrations.
Conclusions:
- The study reveals Raimondi's primary palette and provides insights into 19th-century pigment availability in Peru.
- The identification of later synthetic pigments suggests potential later interventions in a few of Raimondi's botanical illustrations.
- This research enhances the understanding of historical art materials and conservation practices.
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