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Swiss Stained-Glass Panels: An Analytical Study.
Andreia Machado1, Sophie Wolf2, Luis C Alves3
11R&D Unit,Vidro e da Cerâmica Para as Artes (VICARTE), Faculdade de Ciências e Tecnologia,Universidade Nova de Lisboa,Hangar III,Campus da Caparica,2829-516 Caparica,Portugal.
This study analyzed 16th-17th century Swiss stained glass, revealing wood ash as a flux and Schneeberg cobalt for blue enamels. The findings shed light on historical glass production techniques and material origins.
Area of Science:
- Art History
- Materials Science
- Archaeometry
Background:
- Swiss stained glass from the 16th-18th centuries is historically and iconographically well-documented.
- The chemical composition, raw materials, and production technology of this glass and its paints remain less understood.
- Investigating these aspects provides insight into historical artisanal practices.
Purpose of the Study:
- To identify the raw materials used in Swiss stained glass production.
- To determine the origin and provenance of the glass and its constituent materials.
- To characterize the chemical makeup of the glass paints.
Main Methods:
- Analysis of two sample sets from the Pena National Palace collection and Vitrocentre Romont.
- Particle-induced X-ray emission (PIXE) analysis of both glass and glass paints.
- Scanning electron microscopy with electron-dispersive X-ray spectroscopy (SEM-EDS) for paint characterization.
Main Results:
- Glass from both sample sets likely originated from the same region.
- Wood ash was identified as the primary fluxing agent in the glass.
- Analysis revealed diverse recipes for blue enamels, all utilizing cobalt ore from Schneeberg, Germany.
Conclusions:
- The study elucidates the material sourcing and production technology of historical Swiss stained glass.
- Identified commonalities in glass production across different collections.
- Pinpointed a specific German mining district as the source for blue enamel colorant.
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